Moss and Musser: Show Images that Say Something

Rob Moss

Today, in contrast to our usual practice of screening complete films during our meetings, we thought it might be useful to see how filmmakers deal with problems as they come up during the course of production and editing. We invited Rob Moss and Charlie Musser to class in order to…
Read More

Ellick from the New York Times: Ask The Stupid Question

Ellick2

Our guest speaker, Adam B. Ellick from the New York Times, arrived in class at 7pm. We screened several of his videos, including Tuning Out the Taliban and On Thin Ice. His discussion with us was divided into three basic parts: picking the story and characters; working in the field; and post-production. Once…
Read More

Filmmaking Technique: Capturing Sound

headphones2

Valarie opened this week’s meeting by conveying the notes of encouragement we had received in the last week from the Yale Law School administration, and their general excitement – and high expectations – for the films we are generating. Thanksgiving break represents a critical time for our films, and an…
Read More

Post, Edelstein, and Larlham on Fugard’s “The Train Driver”

The Train Driver

We were extraordinarily lucky today to take part in a conversation with three amazing guests. Our distinguished set of panelists included Robert Post, dean of Yale Law School; Gordon Edelstein, artistic director at Long Wharf Theater (and director of The Train Driver); and Daniel Larlham, a lecturer in Yale’s Theater…
Read More

Filmmaking Technique: Framing and Exposure

Aperture Scale

Rebecca opened today’s meeting with a discussion of our newly prepared call sheet – which lists, among other details, sunrise/sunset times for filming that will enable us to time our shoots within an hour of sunset. We have also developed production guidelines: a list of reminders and basic principles that…
Read More

Bazelon from Slate Magazine Talks Journalism Ethics

Emily Bazelon

We were lucky to have another fantastic guest speaker this week. Emily Bazelon, who writes for Slate and the New York Times, answered a number of our questions about ethics in filmmaking and journalism. Her first piece of advice was to “choose an identity for this project and to be our…
Read More

Film Teams See Success and Some Formidable Challenges

Today, our course began with a conversation with the national security team, which is looking into the kind of profiling that takes place at mosques. A member of this group noted her initial outreach to film subjects and described the group’s pre-interview research with coordinators and imams at mosques; some…
Read More

Filmmaking Technique: Narrative Structure

Sharat Raju, Director of Divided We Fall

Today, guest speaker Sharat Raju, director of the film Divided We Fall, offered a discussion of narrative structure and storytelling. The basic structure of any narrative, according to Sharat, goes as follows: there’s a person, this is what the person was up against, this is what happened, and this is the…
Read More

Visual Law Project To Examine Racial Profiling in its Inaugural Year

magnifying-glass

After a few weeks of tossing around ideas and debating about what kind of legal questions could be best answered on film, September 21 was the day when we all came together to discuss our final choice. Last week, we debated the top two suggestions via conference call, and we…
Read More

The Invisible Harms of Racial Profiling

supreme_court_building

Cases involving race – and particularly racial profiling cases – are often decided on an individual basis. Courts look to whether or not there was an injury to an individual on the basis of race, and often conclude that there was not – either because race was not a determining…
Read More